Death Penalty :: essays research papers fc

1st Negative case You have heard from the affirmative side and you may disagree or agree with some of their points, but the reality is that their plan will not and cannot succeed in today’s society. True, on paper the plan looks very good, but it will not work. Today’s present system, with the death penalty is much better off then without it. The negative side, which my partner and I represent, feels that the death penalty should not be abolished and that today’s system, which allows states to choose if they want to impose the death penalty, should continue to be used. It is true that innocent people have been executed, but that number is miniscule compared to the amount of â€Å"true† criminals that are rightfully executed. There is 28-step procedure necessary before any person can be given a death sentence. By having the process consist of numerous steps and involving many different people, human error is greatly reduced. The death penalty is not raciall y or gender bias, much to the contrary of what the affirmative team believes. The fact is that men commit more crimes, so they will be convicted at a greater rate then women. The ratio of men to women on death row and executed is 68:1 or 3400:50 (NAACP Spring 1996). From 1976-1994, men committed 7 times as many murders as women or a 7:1 ratio (Sourcebook ’94). Therefore, it may be statically shown that men are, by a 70:1 ratio, more likely to be on death row then are women. Like gender bias, racial bias is nonexistent in the rulings involving the death penalty. Whites represent 56% of those executed, and blacks 38% (NAACP Summer of 1996). The other 6% are other minorities. The death penalty is not bias to any race, but by just looking at the numbers it may seem that it is. The total populations of each race will give the illusion of bias, but that is not true. The affirmative side also argues that the cost of life in prison without parole is much cheaper then the cost of the death penalty, but this, like their charge of bias, is also untrue. The death penalty is millions cheaper then life without parole in the long run, but when our numbers are compared to the affirmative’s numbers no right or wrong conclusion can be reached. No one team can give impartial numbers since studies by both sides are bias.

El Nino :: science

El Nino El Nino has been a reoccurring phenomenon for centuries. Man has only started to realize how much of the worlds weather is effected by it. The term El Nino refers to an irregular warming of the seas surface. During the last 40 years there have been 10 significant El Nino occurrences. Most affecting the coast of South America. Water temperatures increase along the coast as far as the Galapagos islands. Weak events will raise the water temperature 2 to 4 degrees Celsius and will have minor impact on fishing. However strong events such as the 1982-83 event will disrupt climate conditions around the world as well as local conditions. It has been linked to floods and droughts all over the world. Hurricanes and tropical storms are also altered in their numbers by El Nino. Therefore it would be very helpful for people if El Nino could be predicted and prepared for in some form. During a El Nino cycle there are many biological changes. Due to a depressed thermocline there is less photosynthetic activity resulting in a decrease in the primary life forms that form the beginning of the food chain. The warmer waters that are brought by these changing cycles hold less dissolved oxygen forcing fish to go deeper or venture elsewhere. Due to a lack of data during El Nino occurrences it is not fully known if fish populations are depleted solely due to exposure to El Nino. A decrease in their growth and reproductive success has been observed by many surveys in coastal waters. The link between climatic effects around the world and El Nino is now well established. It has taken many years of studying to understand how the pieces of the puzzle, from ocean currents to winds and heavy rains fit together. During the 1920s a scientist was on assignment in India trying to predict the Asian monsoons. As he sorted through his records he discovered a connection between barometer readings at stations on the eastern and western sides of the Pacific. He noticed that when pressure rises in the west it usually falls in the east and vice versa. He coined this term Southern Oscillation. When it is on its high index state pressure is high on the eastern side of the Pacific and low on the western side (figure 1). The east west pressure contrast drives easterly surface winds.

Australian artist

The everyday phenomenon or contemporary art is art made since World War II or the art made or produced at the current point in time. Since 20th century the common concern was and is what constitutes of art. Contemporary art is not always easy for it takes a person to the heart of many ideologies and issues. And for our case it helps Australian populace to know their past, present and future. (Crosskey 77) National identity was an issue the Australians argued about in 1990s the symbols, images representing Australians experience and history.Artists focus on symbols or issues that we ourselves do not treat with seriousness e. g. suburban houses or even acknowledgement of indigenous Australians experiences. Art display welcomes questions but also a reflection of values, history and lifestyle. (Daly 188) Australian Art Australian aboriginal art and post colonial art are classified under art of Australia. In both western traditions and indigenous traditions Australia has produced distingu ished artists. The uniting subject for both histories of Australian art is the sacredness and importance of the land. (Smith 42) Early colonial art when taken to Europe was received with skepticism.John Lewin was the first resident professional Australian artist; he arrived in 1800 and had two publications on natural history of art. In natural history, in 830 especially there was some ethnographic portraiture of Aboriginals. (Lindsay 138) There has been a gradual change since 1788 in Australian art from a European sense of light to an Australian one. Lighting sense in European differ from Australian this is reflected on early attempts at landscapes. In 1835 to 1878 Conrad Martens a professional artist painted many landscapes which made him financially successful.His work on landscape was regarded softened so as to fit European emotional response. John Glover was another significant landscape artist of this era. (Pratt 69, 240) In 1840s attempts of art exhibitions were made and manag ed to attract some artists but there financial difficulties. Regular exhibition became popularized by 1850s with huge display of various arts. (Lindsay 138) Decorative art such as water color painting, miniature, and functional objects such as urns, before second war I became more popular in Australia.Modernist art after World War I began to be felt and cause disputes between detractors and its practitioners. (Wood 30) Archibald Prize the most famed art prize was founded in 1921 even though definition of portraiture has always yielded to disagreements. There was evident cross pollination of Aboriginal and western art in 1930s and 1940s, after Australian interior was opened. (Art Gallery of New South Wales 19-22) Artists in 1940s began to try other styles such as Surrealism and others. John Brack brought to attention suburban landscape; there was an increased landscape painting.Brett Whitely a Sydney artist was one of the known painters till his passing away in 1992. (Biennale of Syd ney, 102) Papunya Tula School or ‘dot art’ developed after Geoffrey Bardon a teacher in 1971-1972 motivated the Aboriginal people of Papunya to paint their dream time narratives on canvas, one of well known artist of ‘dot art’ is Clifford Possum. Dot Art style art has become well recognized through out the world. Some of well known contemporary Australian artist have progressively used video and photography i. e. Tracy Moffat in their work. (Art Gallery of New 50-62)Aboriginal artists that make use of western in-between have been recognized internationally and seen as recent time great painters’ example being Freddy Timms. The Australian war memorial has some authorized war artists such as Rick Amor and others for East Timor peacekeeping mission, Lewis Miller in the 2003 Iraq War. (Bosch 90) Artists Imants Tiller Diaspora of Imants Tiller art took an everyday phenomenon that was overlooked. Diaspora means a dispersal of populace of same national beli efs or origin. Diaspora was a series of Imants Tillers in 1990s which he described as a new exemplar in his work.His four painting were relating to displacement of persons from their original land of your birth due to colonization and dissimilar cultures combination which makes the most part of the narratives and legacies of these societies in the 20th century. For people in Australian and New Zealand countries Diaspora is inbuilt in creation of the society that they are today. (McCulloch 776) Imants paintings were Diaspora 1992, Izklied 1994, Paradiso 1994 and farewell to reason 1996. The thing that was conspicuous about Tillers paintings was the way one big painting had small one next to each other.The impression that is created by Tillers different interaction of his four art works is that one of worlds within worlds, moving in numerous courses within each work and from one to another. This works are in relation to Till ongoing interest to turn over professed ideologies on periph ery and centre of North America and Europe and on one side and comparatively indistinguishable places on the â€Å"world stage’ e. g. Lavitia, Australia, and New Zealand. While the liberty of Baltic States was a facilitator for Tillers four series, his works integrate a broader concentration in the insider/outsider puzzle across boundaries.(McCulloch 776) His work also notes reoccurring cycles of loss, new beginnings and require admitting varied voices. A non-Balt or Balt that observed the great pro- independence protests in 1988 to 1991 will not remember them and the great moving impact they had; the tears, the songs, the sense of liberation as populace were able to utter open things which in forty years they were afraid even to sigh in secret; ‘For you shall know the truth and it will set you free’ Anatol Lievin. (Rowley 192-193) Diaspora 1992Tillers painting Diaspora 1992 was a reaction to the theoretical political events in 1990 in Lavitia (Home nation to hi s parents). Tillers connection with Lavitia was unclear his alertness of an innate culture and the image was of the past, were constants in his childhood. They moved from Lavitia to Siberia in Baltic State which emerged after collapse of Soviet Union as refugee due to colonization. This led to Tillers outstanding sudden turnaround. (McCulloch 776) The painting that Tiller exhibited in Melbourne, at a Gallery was his first to enter Diaspora collection.This work included many references i. e. fragments of images, images, symbols and words from more than twenty works of art of eleven artists from dissimilar art chronological periods and dissimilar cultures. Pierre Restany commented: ‘The spectator witnesses an unfolding of coded messages and secret references, imprecations and fragments of ex-votos, making up the flux, or rather the weave of collective memory. ’ (Rowley 192-193) Izkliede 1994 Izkliede 1994 was created with Australian spectators in mind. It composed of many small pictures like in Diaspora 1992.Tillers second art has elements in moving up and downward in instabilities performances; this can be translated as globe further than the purely purposeful and rational features of reality. Rudolf Steiner has described it, ‘what is essential is the fact that the visualizations liberate the soul from dependence on the physical. ’ Izeklied can have many meaning like a language. Swastika on the inflammatory matchbox symbol when it adopted by the Nazis caused people to die in millions, for over 3000 years the symbol had been used in many cultures symbolize life, sun and good luck.(Curnow 148) In Izklied there is Joseph Stalin’s head portraying political image and is surrounded by shapeless masses. When this piece was displayed in Sherman Galleries in 1994 it made a lot of impact to those who saw the piece. By the moment Tillers painted his version the Cold War it had already ended. In Tillers title he suggests that many other bat tles were in the mind of many people this included the need to take precaution and protect the surrounding through out the world. ‘Let us posses one world, each has one, and is one’ this writing on the piece gave it new energy.(Curnow 148) Paradiso 1994 Paradiso 1994 is the third work of Tillers in Diaspora. Its context was relations in a disjointed world. His third work was reflecting on relocated people hope for a new ‘promised land’ after going through various problems. This notion or though was never a reality though the displaced people were freed from day to day domination in their own country. The situation was very tough in the countries they took refuge in as they tried to go on with their lives. This ideology of paradise, is connected with faith; gone astray, found and longed for.Tillers slots in Meka’s book and his words writings ‘We are dreaming of bread and liberty We’ll dream the same when we die Hungry, imprisoned, enslave d And scattered across the face of the earth’(Rowley, 192-193) Farewell for Reason 1996 In Farewell for Reason 1996, they are many secret codes that speak about mortality and rites across diverse cultures. In farewell to reason the idea of recycling is seen because of the panels on the top left and right, in bold letters ‘see’ and ‘surf’. His adaptation of the words such as ‘surf’ an abbreviation for ‘surfeit’ it has profaned and sacred implications.This work was the last on Diaspora by Tillers. (Rowley 192-193) Finally Diaspora series advocate that social, cultural and local specificities influence language and the manner we think, difference of culture is there for us to come to grips with it, coexistence is a procedure of becoming that is incessantly developing. (Curnow 48) Gordon Bennett and Peter Robinson Peter Robinson and Gordon Bennett in the late 1980s and early 1990s, the have had the intention of commenting, expos ing and reflecting on the occurrences of New Zealanders and Australians.Their works describe and state current day culture, considering the creation of country societies and histories after the colonial rule and also look into the function of an artist in the modern art industry. (Benjamin 127) The both have dissimilar degree of aboriginal descent in their personal past and this has manifested in production of the two artists work. Robison at first gained skills as a sculptor and Bennett work was on painting. Their origin has played a great role in their work for it is divergent in the art world and from how they define their own identity.They do not agree to be called native artists; they prefer their art not to be weighed down by the descriptions of others. In each artist art work there are some visible elements such as native history, post European arrival and the impact of social politics and conflict with the awful nature and other cultural and current experiences. (Benjamin 12 7) Their works have been displayed in Three Colors Exhibition and Catalogue basically to give their work closeness rather than compare the two.They both knew very little about the components work for they had not met prior, but Three Colors gave them this opportunity for their art to talk to each other. In compassion with Ross Gibson's portrayal of a physical but also a thought of ‘badland’, ‘†¦ a disturbing place that you feel compelled to revisit despite all your wishes for comfort or complacency’ Robison and Bennett react to and involve their cultures, to address problems that are likely to be ignored or serve that risk. Their approaches of art make us to keenly look at the difficult issues at hand (Cambridge 34-40)Bennett’s expression on the abstract notion of identity bothered specific conformist views that regarded the native Australians, the hegemonic perspective of native culture and past as formulated by the colonial dialogue, and broug ht close concentration to the widespread implication of such deliberating for viewer and subject. Bennett’s early works seemed to have a liberating sense, for they confronted the Anglo-Saxon Australian description of history seeking to acknowledgement, motivate understanding and re-examining of approach and communal actions.(Cambridge 34-40) The Coming of light 1987 this is an indication of Bennett’s early works which was filled with anger i. e. a sarcastic tone going throughout his practice. His title was indicating modernization and bringing light to savage mind which was dark. The Urban European attack in this project is represented by elements such as typical city buildings, a backdrop of a mass of European white faces looking with eyes wide opened at one black native and a guillotined jack-in-the-box hanging from a nose.Use of alphabets in his work is a symbol of capital and commerce, indicating the power in European language and other structures of thought. (Benj amin 127) Peter Robison in his work tried to answer ‘What kind of Maori person was I, if at all? He was from Maori tribe. By choosing g art as a career he was to revive political and cultural interest in Maori individuality, language and customs at that time. He went deeper into the Maori heritage in his work: ‘I am of Maori descent and maybe I'm aware of it, or completely unaware – but I've been de-tribalised.So when I started producing Maori art it was like I was part of a lost tribe that had lost its roots in Maoriness and was finding its own roots. ‘ (Benjamin 127) Gordon Bennett and Peter Robinson work Tongue Of The False Prophet (1992), 3. 125% (1994) and Untitled (1994) are indication of Robinson's reply, reviewing and investigating his individual stand in the intricacies of the New Zealand cultural state. Robison work the ‘percentage paintings', 3.125% (1994) symbolize the inquisitive position that he followed in answering to his ‘Maorine ss' in an opened-ended method, focusing on the dualities inside his individual state of affairs and the superior bicultural state, through its olden times of battle over dominion and privileges: ‘A large number of Robinson's works have centered on this issue – not just the tools and methods that the power culture in New Zealand has used to de-legitimize and diminish Maori cultural identity and Maori rights to lands and resources, but also the impact that such experiences have had upon the Maori people. ‘(Benjamin 127) 3.125 percentage , is the mathematics quantity of Maori blood containing Robinson's ancestry, a number that can be thought as insufficient or sufficient to assert social or cultural rights, depending on the alternative of defining structure; blood, familiarity, or policy: ‘And then they accuse you of jumping on the Maori art bandwagon. The percentage paintings were a way of exposing these kinds of attitudes. It is my belief that Maori identity is a matter of identifying yourself as Maori – belonging in terms of ancestral connections as opposed to being a concept of how much Maori you are in terms of blood quantities.‘(Benjamin 127) Self Portrait (Good Guys) has a powerful mournful expression on the psychic, self and social effect of color disparity and assimilation. It is against generalization and subsuming of identities on grounds such as scientific, social religious, political or any other grounds. ‘This is what my project is all about – not only through my art but in my coming to understand for myself that I am a measure of Australia and of Australian culture, that I was conditioned and socialized into this culture in a fairly average way.I feel that by deconstructing my false notions about myself and my Aboriginality then, in some way, I am also reflecting how that is being falsely reflected within Australian culture. So, there's this connection between my deconstructing this image in myself and deconstructing it in Australian culture. ’ (Benjamin 127) Robinson respond to current concerns with ethnicity and identity or other issues is to satirize political accuracy. The irrefutable legacy of lineage is closely examined by Robinson and Bennett in works acknowledging the difficulties of self identity.Self Portrait (Ancestor Figures) (1992) is one of Bennett’s work mostly documented among their works. (Benjamin 127) Boy Am I Scarred, Eh! (1997) there was a scarring and psychic damage to Maori after McCahons speculation. ’ I see much of my current work as History painting, not as a documentary History painting, but rather it is painting that investigates the way history is constructed after the event, always mediated by someone's point of view, a teleological one point perspective that reflects a Eurocentric bias.‘(Benjamin 127) In early 1990s Bennett’s painting had accounts of optical grids, perspectives, black voids signs and dates signi fying the impact and actions of arrangements of thinking applied by European colonial governments and individual putting borders and giving significance to the land of Australia and its populace. (Benjamin 127) Conclusion The Everyday phenomena style of art has affected the communities in a positive way since they get into issues that in most cases would have been ignored or overlooked.In Australia during the 1990s the artist and everyday theme was similar since during this period there were issues such as European colonization, displacement of people from their land and people taking refuge in other states in hope of a new start of their lives. Imants Tiller, Gordon Bennett and Peter Robison in their work have interest on the everyday phenomena in their work. (Crosskey, 77) Works Cited Bosch A. V. den, Aesthetics, Allen & Unwin Publishers, 2005, ISBN: 1741144558 Biennale of Sydney, Sydney Opera House, Art, Modern, Biennale Publishers,2002 Wood P. , Perry G. , Postmodernism, YALE UN IV PR Publishers, 2004, ISBN: 0300101430 Lindsay, R. , and et al, Painting, Modern, National Gallery of Victoria, 1983 Pratt W. B, Encyclopedias and dictionaries, Australia, Grolier society of Australia, 1977, ISBN: 0959660402 Lindsay, R. et al, Art, Australia, National Gallery of Victoria, 1987, ISBN: 0724101225 Daly M. , et al, Australia, Rough Guides, 2003, ISBN:1843530902 (Crosskey , J. Philip, Rose G. Roger, Art/Pacific Area, University of Hawaii Press, 1993, ISBN:0824815734 Curnow w. , Art, Australia, Craftsman House, 1997, ISBN:9057032716 (Rowley, S. , Handcraft/Philosophy, Allen & Unwin, 1997, ISBN: 186448313X McCulloch, A. , Biography, Allen & Unwin, 1994, ISBN: 1863733159Benjamin R. , Art, Australia, Guggenheim Museum, 1995, ISBN: 0892071451 Cambridge Scientific Abstracts, Art Modern, Clio Press, 1969 Art Gallery of New, South Wales, Art Modern, the Biennale Publishers, 1986, ISBN: 0959661956? Smith, S. Ure, Traveling Exhibition, the Museum of Modern Art, 1941 Art Gallery of New South Wales Art, Australia, the Gallery, 1989?

Characters in Othello: Colors and Shapes

The color and shape I chose for Othello are silver and the indifferent shape. I thought about it for a while and this indifferent shape fits othello perfectly for many reasons. Like Othello this is the outsider of the group since it has no real shape. The shape’s physical appearance is different from the rest, just like Othello is since he’s a moor and has a different skin tone. Towards the end of the third act Othello starts to lose his stern confidence front and his real insecurities come out. He shows that he feels not confined and proper enough for the whites. Also his age is another big insecurity that he feels when Desdemona’s faithfulness is in question. This relates to the indifferent shape of the group trying to front like its a shape when really it’s not. Silver best describes Othello with the following characteristics honorable, chivalrous,and romantic. These are displayed when Othello woo’s desdemona with his story and by his high ranking in the venetian army. I chose lavender, pink, and a circle to represent Desdemona’s character. Desdemona represents perfection in the story with her looks and appearance. This is why the circle with no rough edges and a perfectly drawn out figure fits Desdemona perfectly. Desdemona is completely the opposite of Othello she comes from a prominent and perfect family. While Othello has grown up with no silver spoon, (even thou ironically thats his color), he was raised into slavery and the army. These trials and tragedies Othello overcame shaped him into the shape he is. Also like the inside of the circle Desdemona’s character lacks depth and seems somewhat empty. Some character traits Desdemona does display are affection for Othello when his life story moves her to the point of tears. She shows compassion by saying she will do whatever her lover asks of her and simply cannot say no to him. She also comes off as a romantic when she disobeys her father to be with her lover and runs off. The shapes and colors that best go with Cassio are yellow and a triangle. Cassio is a triangle in my opinion because he has a high stature which means everything to him. Like the stature of an equilateral triangle in math and if the triangle loses one angle it messes up the whole triangle. This is sort of like how Cassio messed up once in Othello’s eyes and lost everything. Yellow best fits Cassios’s character which is happy go lucky flirt. He was optimistic throughout the whole story and was very people orientated, maybe even too much. this was his biggest character flaw and his downfall thanks to Iago’s evil scheming. Iago is the most evil character in the play hands down, but he might also be the smartest. I chose dark blue, black, and a square to represent him. Black is the color that represents evil which Iago is for turing everyone against each other and making evil conniving plans behind there back. Just because he’s evil doesn’t mean he’s not smart. Iago is very intelligent he single handedly played everyone. Like a square Iago seems things from every angle (front back and side to side) and has full vision. So dark blue which means intelligent, responsible, and self reliant seemingly fits him. If I had to pick colors and a shape to represent me I would choose the same shape as Othello, beige and mint green. Although I didn’t choose the same shape as Othello for the same reasons. My reasoning behind my choice for that shape are I don’t really ever plan much out, I bend and just go with the flow. Also this shape is different from the rest and thats how I see myself, different from the rest. My colors represent me an the way I am which is more quiet and laid back than most people. These colors also fit my personality. Which I consider kind hearted and quiet even though I cant always make everyone happy I always try.

Free Essays on Family Superiority

Family Superiority Can a plant grow with just water, or just dust, or even just sun? Well you can substitute one or two things the most, but you will still need water definitely and some kind of foundation. With out the original natural elements used, it is difficult for the plant to grow. Well, it is exactly the same in a family. In order for a strong functional family, both parental parties must be present. Duel families hold more stability than a single parent family, when it comes to an economic status, parental discipline, and social status. One main element that haunts all families is the area of economic stability. In a dual family both the mother and the father contribute to the house. Now, ether the father works and the mother stays home and takes care of the home, or vise versa. By this one of them is able to concentrate in bringing in the â€Å"bacon† home. Or both work and help around the house. No matter what the situation is, this family, a dual family, holds grater advantage than a single parent family. In a single parent home, whether it is a mother or a father, the load of work is doubled. He or she now has to run a house and a job simultaneously, especially if there is a child in the equation. By being a single parent, work is a factor that ties one up so much. For example, you’re working at your office, and you receive a call from your child’s school that he/she is sick and have to take her home. Know in a dual family, one can still be at work and just ask you spouse to pick up your chi ld. In a single family, you will have to leave early from work, maybe risking your job at a point for picking up your child. By leaving early, now your pay cheek may be less and maybe even not enough to pay your debts. In a dual family, an income is usually steady and may even be coming in from both parents, unlike a single parent who has to juggle a job and parental priorities. Parenting is a hard and troublesome area. It ta... Free Essays on Family Superiority Free Essays on Family Superiority Family Superiority Can a plant grow with just water, or just dust, or even just sun? Well you can substitute one or two things the most, but you will still need water definitely and some kind of foundation. With out the original natural elements used, it is difficult for the plant to grow. Well, it is exactly the same in a family. In order for a strong functional family, both parental parties must be present. Duel families hold more stability than a single parent family, when it comes to an economic status, parental discipline, and social status. One main element that haunts all families is the area of economic stability. In a dual family both the mother and the father contribute to the house. Now, ether the father works and the mother stays home and takes care of the home, or vise versa. By this one of them is able to concentrate in bringing in the â€Å"bacon† home. Or both work and help around the house. No matter what the situation is, this family, a dual family, holds grater advantage than a single parent family. In a single parent home, whether it is a mother or a father, the load of work is doubled. He or she now has to run a house and a job simultaneously, especially if there is a child in the equation. By being a single parent, work is a factor that ties one up so much. For example, you’re working at your office, and you receive a call from your child’s school that he/she is sick and have to take her home. Know in a dual family, one can still be at work and just ask you spouse to pick up your chi ld. In a single family, you will have to leave early from work, maybe risking your job at a point for picking up your child. By leaving early, now your pay cheek may be less and maybe even not enough to pay your debts. In a dual family, an income is usually steady and may even be coming in from both parents, unlike a single parent who has to juggle a job and parental priorities. Parenting is a hard and troublesome area. It ta...

Healing the World Through Literature Essays

Healing the World Through Literature Essays Healing the World Through Literature Essay Healing the World Through Literature Essay Essay Topic: Back in the World Stories Thirteen Reasons Why Literature has influenced our lives in many ways. One is the way we perceive the events around us. The media have always been telling and informing the public about wars. Instead of informing us about how we can heal the world, all we hear is whose fault it was as soon as a war breaks out. The question here is: How can literature help to heal the world in terms of war and peace? This is important because there are so many wars in the world and instead of fighting we can use them to help create peace and heal the world. We will then be able look back to the past and think how we can progress for the next time. It will also help us create peace by allowing everyone to understand each other. Thomas Hardy, Anthony Hecht and Muriel Rukeyser are three authors that help show how literature can heal the world. The first poem, Thomas Hardy’s â€Å"The Man He Killed† focuses on the senselessness and futility of war, where a man has killed another quite simply because they were fighting on opposing sides at war. It was written in the point of view of one of the soldiers who was enlisted in the infantry. In the opening stanza he states, â€Å"Had he and I but met by some old ancient inn, we should have sat us down to wet right many a nipperkin! † (Hardy 347) By this he means if they met outside of a pub, they would have enjoyed some drinks together, but because of the war, they are forced to shoot at one another. Then it explains how they met as soldiers in opposing sides and one had to die so they both shot each other, but the narrator shot killed the other. In the third stanza, he explains why he had to kill him. Literature could help us with war by displaying this poem. The poem shows how even when people just meet that because of a war, they are forced and required to kill another man instead of having peace. People fight in wars for all different reasons. Some people were born to join the army and be soldiers while others just join to get by in life with financial support from the army. In the lines thirteen through sixteen, towards the end of the poem the author is saying how both the men enlisted into the army because they were out of work, and they needed to sell their traps to get money, and now because of the war one of the men was killed unwontedly by another man who joined because he was out of work as well. In the second poem called â€Å"More Light! More Light! † by Anthony Hecht, it talks about two different stories in the poem. In the first story there is a man who was being charged for a crime he prays to his God he didn’t commit. He states, â€Å"I implore my God to witness that I have made no crime† (Hecht 349). He was being burned to death and one of the soldiers who was burning him because of his crime felt badly for the prisoners suffering. So he threw gun powder hoping it would catch fire and to end the prisoner of his misery but the gunpowder did not ignite, and the prisoner was burnt to death. â€Å"And that was but one, and by no means one of the worst; permitted at least his pitiful dignity; and such as were by made prayers in the name of Christ, that shall judge all men, for his soul’s tranquility† (Hecht 349). The second story is about three prisoners who were brought to the woods, two Jewish prisoners and one Polish prisoner. The German guards forced the Polish man to bury the Jewish men alive, but the Polish man refused to do it. So the German guards instead changed the roles, and the Polish man was shot in the stomach, buried up to his head, and was left there for three hours to bleed to death. The second story seemed to be much worse than the first because the Polish man was suffering and was only left there with his thoughts and prayers as he slowly died. â€Å"No prayers or incense rose up in those hours which grew to be years, and every day came mute ghosts from the ovens, sifting through crisp air, and settled upon his eyes in a black soot† (Hecht 350). Literature help with war and peace because this poem shows the past how the Jews and Polish men and women were tortured by the Nazis and war. And this poem can teach us how even during the darkest times of war some people like the Polish did not keep his dignity. And not be forced to kill another man because war, even if the result of not listening is your own death. In the third poem â€Å"Letter to the Front† by Muriel Rukeyser, talks about being a Jew in the twentieth century. This poem explains how Jewish people should be proud of being Jewish, and they shouldn’t hide it. The Jewish people went through a lot with World War II, with all the deaths and sufferings, but the Jewish population shouldn’t try to hide what they are. â€Å"Wishing to be invisible, you choose death of the spirit, the stone insanity† (Rukeyser 351). Hiding meant reducing God to nothing more than what you are. The author is saying that the Jews should be proud of who they are and what they believe in. To believe in God and pray for freedom to all people, and pray to live the impossible which can only happen with faith to their God. Not by hiding who they really are and their beliefs. Literature can help with War and peace by using this poem to show that belief in your God can help you get through any situation and not by hiding from your beliefs and who you truly are. Some people are already used to wars and violence that it doesn’t affect them. In order to find peace, we must first make an effort to understand all types of people. In terms of race, ethnicity, culture, values, religion, beliefs, etc. When people see life through someone else’s eyes they understand what they go through. That would be the only way to avoid violence. Literature can heal the world after devastation from war. Maybe one day we won’t have to worry about the war because there would be peace. Work Cited: Hardy, Thomas. The Man He Killed. Writing about the World. By Susan H. McLeod, John Jarvis, and Shelley Spear. Boston, MA: Thomson/Wadsworth, 2005. 346-48. Print. Hecht, Anthony. More Light! More Light! Writing about the World. By Susan H. McLeod, John Jarvis, and Shelley Spear. Boston, MA: Thomson/Wadsworth, 2005. 349-50. Print. Rukeyser, Muriel. Letter to the Front. Writing about the World. By Susan H. McLeod, John Jarvis, and Shelley Spear. Boston, MA: Thomson/Wadsworth, 2005. 351-52. Print.

What Is Suffering According To Buddha Example

What Is Suffering According To Buddha Example What Is Suffering According To Buddha – Coursework Example The Meaning of Suffering in Buddhism The Meaning of Suffering in Buddhism In Buddhist teachings suffering isthe inevitable truth of life. Even though such an approach seems to be pessimistic, it teaches people to be strong when they face suffering in their lives. Suffering is the most common translation of the word â€Å"dukkha† used in Sanskrit. Basically, â€Å"dukkha† means anything temporary in peoples life. The First Nobel Truth of Buddhism says that â€Å"life is dukkha† that is it translated as life is suffering. According to Harvey (2012), â€Å"dukkha† has a wide range of meanings starting from pain up to dissatisfaction. Many processes in human life are â€Å"dukkha† (painful or problematic); death, birth, aging or dissatisfaction are painful but one cannot skip them. Realistic outlook on life is required in Buddhism to look at all these things philosophically. Such states as happiness and joy are also temporary and when they pass they lea d to mental or physical pain. Overall, there is no word in English that renders full meaning of â€Å"dukkha† (Harvey, 2012).The cause of suffering is the fact that people always seek satisfaction outside themselves and they ignore their self. Buddhism teachings state that people can overcome suffering by diligent practice. There Forth Nobel Truth of Buddhism prescribes people to follow the Eightfold Path to Enlightenment by controlling their views, speech, intention, livelihood, action, mindfulness, concentration and effort (Harvey, 2012). Buddhism requires not only believing in the doctrine, but following the exact rules which lead to the desired state of body and mind. As a result, â€Å"dukkha† is not a predetermination for all. Those who follow the right way of life can eliminate suffering and be happy. ReferencesHarvey, P. (2012). An introduction to Buddhism: Teachings, history and practices. Cambridge University Press.